This track was submitted by saxophonist, improviser and composer André Vida as a companion piece to journalist Martina Seeber’s essay on composer Giancinto Scelsi. It is Vida’s interpretation of the piece “Toast to Scelsi’s A Flat”, composed by Augustin Maurs.

This track is a companion piece to Joe Morris’ text “Proudly Disengaged”, his contribution to a series of essays, commissioned by REMAIIN (Radical European Music and its Intercultural Nature), a project that investigates non-European cultural influences on the experimental, avant-garde and innovative music of the present and the past. It is co-funded by the „Creative Europe” programme of the European Union.

This track was submitted by musician, educator and writer David Toop as a companion piece to “Music as a Virus”, his contribution to a series of essays, commissioned by REMAIIN (Radical European Music and its Intercultural Nature), a project that investigates non-European cultural influences on the experimental, avant-garde and innovative music of the present and the past. It is co-funded by the „Creative Europe” programme of the European Union.

This track is a companion piece to Werner Durand’s text “Disoccidentation”, his contribution to a series of essays, commissioned by REMAIIN. It is played on the Pan-Ney, an instrument of his own design tuned in just intonation. It consists of a bundle of acrylic glass pipes, looking like a huge Pan-Pipe, but played like the Arabic/Turkish ney. A delay patch allows to create dense textures in real time.